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Jumat, 07 September 2012

PDF Ebook No Excuses: Existentialism and the Meaning of Life

PDF Ebook No Excuses: Existentialism and the Meaning of Life

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No Excuses: Existentialism and the Meaning of Life

No Excuses: Existentialism and the Meaning of Life


No Excuses: Existentialism and the Meaning of Life


PDF Ebook No Excuses: Existentialism and the Meaning of Life

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No Excuses: Existentialism and the Meaning of Life

Product details

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margin: 0.5em 0px 0em 25px !important;

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Audible Audiobook

Listening Length: 12 hours and 7 minutes

Program Type: Audiobook

Version: Original recording

Publisher: The Great Courses

Audible.com Release Date: July 8, 2013

Language: English, English

ASIN: B00DTO4316

Amazon Best Sellers Rank:

For a young adult today who wants to understand what is really meant by "Existentialism," this is one of the very best ways to begin, especially if combined with reading the relevant texts to which Robert Solomon makes frequent reference.

For me this lecture series was a thrill, and changed what I assumed I knew about existentialism. According to this University of Texas professor, the late Robert Solomon, existentialism is a movement not a school, made up of Christians, agnostics, and atheists. It addresses those post-antiquities questions that grow out of individualism: Who am I? What am I to do? Will my life matter? The emphasis is on an informed, responsible choice, accepting the consequences, living life to the fullest vs. killing time.Solomon illuminates existentialist ideas commencing with Camus and his novel The Stranger. Through Camus, Solomon provides an answer to a puzzle I’ve encountered a hundred times: “People without thoughts are people without emotions, and people without emotions are people without thoughts.” Loaded with metaphors, Camus’ main character has no emotions and no self. In prison, reflecting on other’s judgement of him produces a newfound sense of meaning. Supporting my hypothesis that purpose is internal while meaning is external, I was suddenly enthusiastic for the series and read the The Stranger in a way I’d not have done without this intro.On to Camus’ next work, The Myth of Sisyphus, we find Sisyphus commanded by the gods to push a boulder up hill, let it roll down, only to push it up again without end for eternity. Such absurdity—as all lives will eventually encounter—makes death welcomed. Solomon makes a comparison to Ecclesiastes’ (very Sumerian) assessment that life is pointless vanity. But Sisyphus rebels against the gods, not through refusal, but embrace (Buddhist-like). Committed to his task, immersed in his duty, with passion and zeal, Sisyphus invents meaning, or is that purpose? This makes clear what religious believers already know and have since a handful of them poisoned Socrates: philosophic thinking is a dangerous business. Rational truth can be not only a threat to societal rules, norms, and belonging, but dehumanizing. Humans invent “meaning,” they can just as easily uninvent it. Great preparation for Nietzsche, who shows up later.Next up, Camus’ The Fall, where the main character helps a blind man, then doffs his hat to a man who can’t see. He wonders why he did this, only to conclude he’s a fake, performing for the favorable assessment of onlookers. Reflection for this man becomes, not honest, but a disease. Socrates said, “The unexamined life is not worth living,” but can it be overdone, as a different kind of self-deception? I nearly let go the leash on my dogs when this one cracked like a high voltage discharge between my earbuds. Living in splendid isolation, too prone to pondering, the shock was a little too close for comfort, and I was glad for it. As Mark Twain said, “All men live lives of quiet desperation.” But maybe we shouldn’t. Which is of course the point of existentialism’s project: an informed, responsible choice, accepting the consequences, then from there, live to the fullest.After a good strong drink of Camus, Solomon offers a chaser made from a mix of Kierkegaard, Nietzsche, Hegel, Dostoevsky, Kafka, Husserl, Heidegger, and Sartre. After a few shots of these names I can’t spell or pronounce, I was tipsy with ideas to occupy me for years to come. What a delightful high.

Robert Solomon seems to me to be a moralist that is unfamiliar with the depths of Existentialism. I, having experienced Existentialism for decades before moving on, recognize it as a psychological developmental level necessary to pass through before getting to David Hume's Enlightenment level. Needless to say, the moralist stage is very elementary compared to Existentialism. If Solomon never experienced it, how can he competently teach about it. He injects his views on it at times, which are always discounting the true experience of Existentialism.I purchased "Existentialism for Dummies" and I'm much happier with its focus on core issues. Solomon's course mostly talked about novels written pertaining to the subject of Existentialism but not about the subject. My feeling is his course missed the mark. I infer that he has not "tasted" it himself.

The biggest failure of the lecture series is its inability to really answer what binds together various philosophers that are branded existentialists apart from a very rudimentary premise.The meaning of life is beyond reason and rationality - this is at the base of the work of the four major philosophers covered. In other words, the belief is that our passions, emotions and actions are supreme in defining the essence of existence and the rational philosophers were mistaken in ignoring them. Assuming the premise is true - a huge assumption with as little basis as the rationalists had in their faith in reason - the existential notions still had little holding them together. Rationality is narrow if not one. Lack of it is everything else, and so much that their proponents like the four in the book were as divergent in their views from each other as they possibly were from the rationalists.To paraphrase, existentialism seems to be defined by what it is not or does not believe in - ie, the supremacy of the reason. However, the constructs created atop this foundation are not only massively varied but also highly tentative primarily because they don't believe in using the logic as the glue. Sartre's extreme position on "we always have a choice" is an assertion squeezed by almost distorting the definition of choice; if the same definition is applied or tweaked some more not only a chained man or a worker in suppressed regimes but fetuses, animals and trees or even the quantum particles have a choice.Camus to Dostovosky, Kafka and Hesse - the lectures provide brief (and at times not so brief) of some great literary work. It gives a good account of the life of the four major philosophers covered. These accounts make the lectures extremely listenable even though the threads connecting them or even the interpretations appear tenuous and almost always too assertive.

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Minggu, 02 September 2012

PDF Download The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan

PDF Download The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan

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The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan

The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan


The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan


PDF Download The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan

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The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan

Product details

Hardcover: 192 pages

Publisher: Fantasy Flight Games; 1st Ed edition (October 31, 2006)

Language: English

ISBN-10: 1589943074

ISBN-13: 978-1589943070

Product Dimensions:

8.5 x 1 x 11 inches

Shipping Weight: 2.2 pounds

Average Customer Review:

3.8 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#1,240,756 in Books (See Top 100 in Books)

This is a gorgeous compilation of artwork both based directly on, or in the spirit of, Lovecraft's writings. The only criticism I can make is there there's little or nothing related to "At the Mountains of Madness." But the range of artwork here will give shape to many dark shadows from the Mythos.

Considering the increasing public awareness of HP Lovecraft and his infamous Mythos, I fully expected an 'art' book having a much wider variety of Cthulhu Mythos creatures represented as I had found in the Barlow's Guide to the Cthulhu Mythos (I think I may be a bit off on the title but I also think this book is out of print).In any case, a suprising number of the prints offered are of normal humans, presumably characters in a Mythos role playing game (I'm basing this assumption on the credits given to each picture). The painting/drawings of the Mythos creatures range from the nicely done to the uninspired with the later being the most frequent. I really can't see myself recommending this book unless you happen across it in a 1/2 off bin.

This is a clear and succinct collection of well-organized and presented art. Make no mistake. The printing quality and obvious layout work that has been demonstrated by this book is almost flawless; and well worthy of the tribute it is.However, even in the knowledge that much of this art comes from a TCG, and in the face of obvious streamlining as far as direction and theme are concerned; some fans of the mythos, such as I, could easily find themselves alienated in the almost 'cartoony' quality of the art itself.I will, however, give this four stars; as it clearly pulls across a great degree of scope; covering many more aspects of the Cthulhu mythos than i thought possible or likely. The sheer variety is impressive in it's own right.A committed and beautifully presented artifact - even if not as dark, disturbing and violent as it could have been.

Husband is a huge Lovecraft fan, he loved getting this for Christmas.

I wish the cover was in the book as a "double fold out" page.

Met and exceeded my expectations.

I love art and SF fantasy illustration and I am an admirer of Lovecraft's writing skill and imagination. The cover art on the book is great! The interior work does not suffer for quaility, so why the low review?Because I found the book itself disappointing, it lacks inspiration. I have seen most of the images online. I don't doubt that many of the artist are fellow fans of Lovecraftian lore and imagery, but they (as far as I know) got paid to paint these illustrations for the CoC card game, hardly a paeon to the muses.To be fair, I was warned by several of the reviewers of what the contents amounted to, it was the reviewers who were gushing about a book with a fair amount of mediocre art work that I could have paid less heed to.If you are desperate for Cthulhu related images, get it. If your merely curious, let it pass.

Great artwork book inspired in Lovecraft and as such is not for everyone's taste since the imagery is... well... lovecraftian (dark, frightening, even disgusting sometimes).

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