Download PDF In Fine Style: The Art of Tudor and Stuart Fashion
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In Fine Style: The Art of Tudor and Stuart Fashion
Download PDF In Fine Style: The Art of Tudor and Stuart Fashion
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Review
“A sumptuously illustrated, large-format catalogue by Anna Reynolds provides an excellent accompaniment to the exhibition. The photographs include many enlarged details, making it possible for the reader to focus on very specific features of the fashions described. . . . The high-quality close-up reproductions of the portraits also make it possible to examine the technique of the various painters, including how they conveyed information about texture, sheen, or construction,. The quality of the catalogue’s text is equal to that of its illustrations: Reynolds has provided a fuller and more nuanced analysis of the same range of topics presented in the exhibition.” (Renaissance Studies 2014-02-04)
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About the Author
Anna Reynolds is curator of paintings at the Royal Collection, where she is responsible for the care and display of more than twelve thousand paintings and miniatures.
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Product details
Hardcover: 288 pages
Publisher: Royal Collection Trust; 3.2.2013 edition (June 15, 2013)
Language: English
ISBN-10: 1905686447
ISBN-13: 978-1905686445
Product Dimensions:
10.8 x 1.1 x 11.5 inches
Shipping Weight: 4.8 pounds
Average Customer Review:
5.0 out of 5 stars
27 customer reviews
Amazon Best Sellers Rank:
#1,318,441 in Books (See Top 100 in Books)
`I was so excited when I first saw this book, I pre-ordered it and waited impatiently. It finally arrived today and I just thoroughly perused it. It's even better than I'd hoped. It's massive enough to be a coffee table book. The glorious pictures fill whole pages and get this...most pages have no margins: the picture ends where the page does. So the detail is marvelous. Often, a whole portrait is shown, then a close-up of it, then a close-up of the close-up. On a miniature painted of Elizabeth I, you can see the little drops of enamel and the tiny jewels glued into her crown."A picture is worth a thousand words" so I am stunned that such a brand-new and highly-illustrated book has no Look Inside feature[*] because by far, the most important word in the title of the book is ART. In Fine Style is all about the paintings because so very few clothes have survived from the 16th and 17th centuries: we have not one piece of clothing from Henry VIII. But from his court portraitist, Hans Holbein the Younger, to Van Dyck, to van Doort, to Rembrandt, to miniaturist Nicholas Hilliard, we see probably more detail than extant clothing would reveal. This book has over 320 "colour" illustrations and I just get lost in them. Books like this are often breath-taking on illustration but the writing is lacking...or the text is great but the pictures are too few, too small or in b&w. However, this book is the perfect marriage of both. Anna Reynolds's handling of the 262 numbered illustrations allows you to seamlessly (excuse the pun) pass back and forth from the text to the image, and to page back and forth through the book to find connected information: the figures are easy to find from the text describing them and the captioning is particularly clear.There are 4 areas of interest covered here: reenacting and historic costumes, needlework, history and portraiture. There is a whole chapter of 50 pages entitled simply Painting Dress so art students should go crazy. The front cover tells you everything: it's all about the style and how it was conveyed in the over-the-top luxury of the Tudor and Stuart dynasties.Let's be clear what this book is: it's NOT The Tudor Tailor: Reconstructing Sixteenth-Century Dress. Even though the chapters of the book include: Dressing Women, Dressing Men, Dressing Children, Painted for Battle and the Hunt, re-enactors will not be able to use this book to pattern much of the dress they desire. And don't get your hopes up when you see the final chapter is entitled Playing A Part...that is mostly about the masques and exotic clothes the queens of James I and Charles I liked to wear and not what you would see at a renaissance faire. But the book is invaluable to convey the spirit and atmosphere of style that re-enactors want to emulate.My big interest is needlework and needlework history and this book satisfies my desire to see up close just how much decorative stitchery was a vehicle for conveying the richest elements of dress and accoutrement: gold or silver thread attached precious jewels to almost every dress Elizabeth wore. Contemporary inventories reveal that Elizabeth may have owned 3,000 dresses during her life. Elizabethan and Jacobean needlework is an area of keen interest currently and this book is jam-packed with them.Another big interest of mine is Tudor--particularly Elizabethan--history. (See my profile pic.) It fascinates me that Elizabeth and Mary Queen of Scots were first cousins once-removed, that they had such an enormous impact on each other's lives, but they never met in person. While Mary lost, literally, her head, Elizabeth lost the war of succession. Perhaps it's Elizabeth's final revenge that Mary's bloodline proved not to be up to the task of ruling England successfully.I can't come up with a single negative thing to say about this gorgeous, enlightening book except that I'm mystified that Amazon deleted almost all customer uploaded images on books on July 15, 2013 [*]. (I had uploaded 34 which is the most I'd ever done because the pictures here are so scrumptious. They don't even show on the image gallery on my profile page.) How do you know if you want to plop down $50 on a book sight-unseen? Well...take my word for it: you won't be sorry.TRIVIA QUESTION: Who first had cobblers make shoes to fit the right and left foot instead of being interchangeable? The answer is in the Comment below.
I was not disapointed when I received this book. I do costuming in the SCA in the late Elizabethan style. I am constantly on the look out for more information and this book has plenty. It is a large format with plenty of close ups on details which I always find exordinary in paintings of this period. Then, it covers the whole range of Tudor through the Stewart periods sometime juxtaposing the information and paintings. I feel this examination is very helpful in gaining fresh perspectives. Please keep in mind that this is not a how-to book but an examination of the styles, culture, and history of that time. I haven't finished reading it yet but I feel I can safely say that I will turn to it many times when trying to recreate this clothing.
Great photos and some wonderful closeups. Most of the info is for 1600 and after, but there is a reasonable amount of stuff for the Elizabethan/Henrician people (20-30%, maybe). Not much info about actual clothing construction, and the embroidery information is not new either, but the pictures make up for that. They do try to compare portraits to actual extant garments when possible, which is fun. There is a fair amount of information on the actual painting techniques if you're interested in that, but I'm not qualified to judge the quality of that.
Although, as it must, it relays greatly on painting of the Tudor and Stuart period, there are many pictures of actual surviving clothing. Over sized book full of wonderful color pictures and close ups of parts of various garments. The book is written with great style and explanations of what was worn when, by whom and why. Showing how the style of Italy, France, etc., influenced the English style. And the influence of England on the style of the Low Countries. A must for the costumer or anyone who appreciates art of the period or just a beautiful book.
This is a marvelous book! First - the photographs of art work from Tudor and Stuart times are beautifully done in both close ups and full frames, showing all the bits of fashion under discussion and fully identified as to subject and artist. I saw many portraits of people I had read about often as a history buff. Secondly, the discussion puts their clothing into their time, with information about all the impact their religions and culture had upon their choice of fabrics, decoration, and styles, from shoes and underwear to hats, cloaks and jewelery, and everything underneath. As a needleworker myself, I so appreciated the details provided and all the work that went in to these fashions, so few of which remain for us to see now except in the portraits left to us. The book was a delight from cover to cover, and well worth the price.
The book itself is top quality - pages, binding, dust cover are all coffee-table worthy. Beyond this - and the reason I purchased it - the illustrations are plentiful and stunning, and the text detailed and informative. As a person steeped in, and fascinated by, Tudor history, I think this book provides a rich layer of visual context.
I really can't say enough about this book. The photos of the art are wonderful (many have both close up details of the paintings and clothing, along with the full view) and the text is very interesting and informative as well.Bravo Anna Reynolds! Keep them coming - I'll keep buying!
This is one of the most beautiful and informative books I have ever owned. I am an artist interested in collage as well as painting, and this is an inspiration for both because of the exquisite detail photographs of paintings and original items of clothing. I also love fashion and am interested in sewing again. As a former illustrator, the explanations of how the various forms of dress and headdress worked, and why is fascinating. And, I am fond of this period in history. I am so happy to have this book.
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